October 11th 2012

I was recently asked by a friend, Nathan Jurevicius, to create a painting for a show he was curating.  Nathan is the artist behind Scarygirl, a series of illustrated stories, games and toys centred around the namesake main character.  He has been creating this series for the last 10 years, and wanted to have an anniversary show dedicated to other artist's interpretations of his set of characters.

I decided to tackle the main character, Scarygirl.  I wanted to make her look like a real little girl, which was a real challenge because so much about the character is highly stylized.  She has a stitched mouth and a hook for a hand.  The character also has a single bone where her hand should be, and I decided to leave that absent.  I think she started to look a bit like a little girl from a Japanese horror movie, but I'm happy with the direction it took.

The show is set to open at Underground Gallery in New York on Hallowe'en night; Wednesday, October 31st.  To view a few more pieces from the exhibition; which will display the work of over 100 artists, head over to Magic Pony's blog.

September 28th 2012

Anabela and Geoff got married a couple of weeks ago.

I wanted to make something special for them, because they're pretty special friends.  They both love cats; quite possibly, (dare I say it), even more than me, especially their two kitties Oreo and Pony.

Both Chris and I put our heads together and decided that we wanted to make them a framed painting.  If you're familiar with their work, you'll know that they use a lot of light, ethereal imagery, so I wanted to include a hint at that in the painting.  Anabela loves peonies, and I thought Pony would look adorable in a silk ribbon.  Chris made a beautiful frame and we stained it with white pickling stain to keep the whole thing nice and bright, (like their lovely apartment).

Anabela posted a little more about the painting, which you can view here.



On another note; I wanted to mention the event happening at the AGO tomorrow night for Nuit Blanche.  Heather Goodchild has recreated a midcentury garment, ceramic and metal-work factory in Made It Then, Make It Again, where workers will be assembly-line manufacturing uniforms, mugs and metal stools for the workers to sit on.  I'll be helping out along the garment line, and will clock on between 1-4am, but the whole performance takes place between 7pm and 7am.  For a proper explanation, and some beautiful photos of the space coming together, visit The Wardens Today.



Also, I'm looking forward to sharing a painting I've been working on lately for an upcoming show.  It will take place at the end of October in New York.  It's been a lot of fun so far, and I'll post all about it closer to the date of the show.

September 27th 2012

If you're already familiar with my work, you'll probably know that I use a lot of mushroom/fungi reference in my paintings.

I'm not really sure when this fascination began, but it was probably when I was quite young.  I did not like eating mushrooms; I thought they were horrible, until an old neighbour who used to watch us took my sister and I out into the woods to look for edible mushrooms.  From memory, I think they were probably King Bolete mushrooms, but she called them 'Butter Mushrooms'.  We took them back home with us, she fried them up in some butter, and they were delicious!  (Butter will do that).

There was a long while when I didn't give much thought to the humble mushroom, until I started adding them to the odd painting a few years back.  Then, in 2010, I took part in a show at Narwhal Art Projects called The Dazzle and devoted all five oil paintings to them.

Now, any time I go up north to my parent's home, I try to go for a walk back in the woods and see what I can find.  This past weekend was rainy and cool; the perfect climate for mushrooms to pop up overnight.


Here are photos of just a few findings back in the woods.  I brought a field guide along with me, and was able to identify some of them along the way.

*(Please note: I'm not a trained mycologist, so please don't use the names below as reference).

Some type of Mycena

Meadow mushroom

 

Amanita porphyria

Tremellodendropsis semivestitum

Trametes versicolor (Turkey Tail)

Dacryopinax spathularia

Phyllotopsis nidulans

Hemitrichia species and Phlebia tremellosa

Lycoperdon perlatum (Gem-studded puffball)

September 25th 2012

An interview for Kid Icarus's Indiegogo Fundraising Campaign on Vimeo.

September 19th 2012

While in Iceland, we had a couple of days to take things slowly and explore the area around our little cabin in Skagaströnd.  Chris and I would climb up the cliffs behind the cabin and sit in the grass and draw or paint.

Usually, while on vacation, we don't have the time to do any drawing or painting because we're only there for a short time and would rather spend it going to new places.  The great thing about spending time up in the north was that we were forced to take things a little slower and take in everything around us.

Above is a drawing of the top of a rock pillar formation that was just off of the cliffs in the ocean.  There were Northern Fulmar (Fýll) nesting in the rocks, (as well as some angry Arctic Terns that kept dive bombing us while we sat.  We must have been near their nests).

This is a quick painted sketch of the view from our front door.  The mountain straight ahead, (which we could see from many kilometres away on the drive in), was covered in the most beautiful blue Lupins.  It made the whole base of the mountain a bright purple-blue colour.

These were the Icelandic horses that grazed in the field in front of our cabin.  They were a little shy with us at first, but got curious when we stood by the side of their field for a while and came to visit.  

The farm land around the village was so colourful.  There were purple and yellow wildflowers everywhere you looked.  And there were so many different types of birds; it being a bird sanctuary in the cliffs behind us.  I wish I'd taken even more time to draw what we saw there, but that will have to wait for the next time.